We are living in historic times. No, I’m not talking about the presidential election or even the pandemic. I’m referring to the experience of watching music’s greatest legends go head-to-head in what have become epic showdowns – The Battle of Soul between Gladys Knight and Patti LaBelle; the Battle for the “Dirty South” between Ludacris and Nelly; the Battle for The Boy when Brandy and Monica went toe-to-toe; and just last night, in the Battle for Atlanta when Gucci Mane and Jeezy went head-to-head. Like so many others, I tuned in early with anticipation, eyeing the empty regal-like chairs in the infamous Magic City. Would they or wouldn’t they? And then Gucci kicked things off with “Round 1.”
The beef between Gucci and Jeezy has been a slow burn spanning 15 years. It’s a story that we are all very familiar with, captivating the headlines with the likes of a murder trial, public disses, club brawls, and bounties. For those who weren’t paying attention in the early aughts, the real battle began in 2005 over who owned the rights to their first collaboration, “Icy.” So when Gucci dropped “Icy” before Jeezy could release it on his debut album, the implications were huge. Read More
This month, Drake and his producers won a key battle in the fight for fair use. But what exactly is fair use? And what does it mean for artists and producers moving forward?
As artists and creators, we constantly take inspiration from our peers and our idols. But do you ever wonder, where is the line? How much is too much? Samples and mashups are commonplace in music and especially in hip-hop. Chuck D. once said: “We thought sampling was just a way of arranging sounds […] to blend sound. Just as visual artists take yellow and blue to come up with green, we wanted to be able to do that with sound.” The art of sampling is woven into the founding story of hip-hop along with the legal challenges that came with its commercial success. Read More
When industry recognition finally knocks, it doesn’t come bearing a manual on how a musician should make smart choices. But for artists, making smart choices and deals early is critical to ensuring the integrity of their work and securing future earnings.
This past week, rapper Mase took to social media to call out his former label head, Diddy. His concerns centered around ownership of his masters — the recordings from which all licensing and royalty agreements flow: “You bought it (Mase’ master publishings) for about 20k & I offered you 2m in cash. This is not black excellence at all. When our own race is enslaving us. If it’s about us owning, it can’t be about us owning each other.” Read More