Back in January, Spotify was granted a patent for technology so creepy that it sent a chill through the music industry that still hasn’t subsided. The company has been planning for years, apparently, to listen into our conversations and background noise in order to recommend us music. Spotify told the Patent Office their technology could obtain “content metadata [that] indicates an emotional state of the speaker,” and that once it has gathered enough so-called “emotion objects” it will use them to tailor what it plays next. The paragraph detailing Step 205 of the procedure seems to imply that making users happy is the goal, but then ends with a dire warning that, “Numerous other examples are possible.” Read More
The opening months of the Biden Administration have left the Black community cautiously optimistic that the President will honor his commitment to the economic empowerment and security of Black people. However, we know that the next four years will be an exercise in holding this Administration accountable. They have made many promises, but few are as significant or as urgent as the need for progress against the enduring racist relics that continue to disenfranchise and destabilize historically marginalized communities. Black people must use our power to bring about systemic change and not settle for words or gestures during this moment of political opportunity. Read More
It’s February 2020.
SaVonne just resigned from her full-time job to finally dedicate her time to growing her business, Aya Paper Co., an eco-friendly card company. She would rush from one event to another, hopes still intact, completely oblivious to what the next month would bring.
Quetzal, 3,000 miles away in California, had his whole year planned out. The formally trained violinist and musician — with the stage name QVLN — had a west coast tour lined up and international gigs scheduled for Europe and northern Africa.
Jason was in the zone, creating the world of Andromeda, where freedom is delicate; time is scarce; and the apocalypse is nearing. Little did he know that reality would eerily resemble fiction all too soon. Read More
We are living in historic times. No, I’m not talking about the presidential election or even the pandemic. I’m referring to the experience of watching music’s greatest legends go head-to-head in what have become epic showdowns – The Battle of Soul between Gladys Knight and Patti LaBelle; the Battle for the “Dirty South” between Ludacris and Nelly; the Battle for The Boy when Brandy and Monica went toe-to-toe; and just last night, in the Battle for Atlanta when Gucci Mane and Jeezy went head-to-head. Like so many others, I tuned in early with anticipation, eyeing the empty regal-like chairs in the infamous Magic City. Would they or wouldn’t they? And then Gucci kicked things off with “Round 1.”
The beef between Gucci and Jeezy has been a slow burn spanning 15 years. It’s a story that we are all very familiar with, captivating the headlines with the likes of a murder trial, public disses, club brawls, and bounties. For those who weren’t paying attention in the early aughts, the real battle began in 2005 over who owned the rights to their first collaboration, “Icy.” So when Gucci dropped “Icy” before Jeezy could release it on his debut album, the implications were huge. Read More